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  • Tomokazu Matsuyama

Heliotrope Prints

Tomokazu Matsuyama

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Details

Artist: Tomokazu Matsuyama
Title: Falling Passage


About the print:
Unsigned
Archival Pigment Print on Hahnemuhle 210gsm 50% rag watercolor paper
13″x19″ paper size
Hand numbered edition of 250
Embossed with the Heliotrope Foundation logo 


About the artist:

Tomokazu Matsuyama was born in Japan, 1976 and currently lives and works in Brooklyn, New York. He received his MFA in Communications Design from the Pratt Institute, New York. Matsuyama’s important exhibitions include the Japan Society, New York; the Harvard University, Massachusetts, the Katzen Arts Center at American University Museum, Washington D.C., and Museum of Contemporary Art Museum, Sydney, Australia, among other galleries and institutions.

His works are in the permanent collections of Asian Art Museum, San Francisco, the Royal Family, Dubai, UAE, The Standard Hotel (Andre Balazs Group), the Cosmopolitan Hotel Group, Microsoft Collection and more. In August 2014 he was awarded the Harbour City Gallery Public Art Commission in Hong Kong.

Matsuyama’s work responds to his own bi-cultural experience of growing up between Japan and America by bringing together aspects of both Eastern and Western aesthetic systems.His practice repositions traditional icons within a broader global context in order to create a distinctive style that resists cultural categorization and embodies what the artist refers to as the “struggle of reckoning the familiar local with the familiar global.” By raising questions of national and individual identity through the formal qualities and subject matter of his paintings, Matsuyama examines the “natural chaos” of our social environments and challenges viewers to confront their own conceptions of cultural homogeneity.

Matsuyama is influenced by a variety of subjects, including Japanese art from the Edo and Meiji eras, classical Greek and Roman statuary, French Renaissance painting, post-war contemporary art, and the visual language of global, popular culture as embodied by mass-produced commodities.

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